Thursday 27 December 2012

Flo Rida-I Cry



Weekly Chart Notes: Brenda Russell Talks Flo Rida's 'I Cry'

What does the smooth R&B singer think of the Sunshine State rapper's reworking of her 1988 hit ballad 'Piano in the Dark'?
Rapper Flo Rida performs onstage during the 2012 Teen Choice Awards at Gibson Amphitheatre on July 22, 2012 in Universal City, California.
Brenda Russell's "Piano in the Dark" now plays in a club. 

Rapper Flo Rida has turned her sultry ballad, which rose to No. 6 on the Billboard Hot 100 in 1988, into the dance floor-ready "I Cry." The new interpretation bows this week at No. 81 on the Hot 100, returning the song's hook to the chart after a 24-year hiatus. (It also debuts on Rap Songs at No. 25 and Pop Songs at No. 36.)

Cry" actually samples a sample: Dutch duo Bingo Players first reworked "Piano" as "Cry (Just a Little)," which reached No. 15 on Dance/Mix Show Airplay in March. 

Russell, who first arrived on the Hot 100 in 1979 with the No. 30 hit "So Good, So Right," co-wrote "Piano" with Jeff Hull and Scott Cutler, the latter of whom co-penned Natalie Imbruglia's 1998 smash "Torn," among other melodic hits. "Piano" was nominated for three Grammy Awards, including song of the year, in 1989. 

What does Russell think of the transformation of "Piano" into two dance hits this year? 


"It's pretty cool that artists like Flo Rida and Bingo Players can be inspired to interpret a song like 'Piano in the Dark' in completely new genres," she tells Chart Beat. "As an artist and writer, it's the highest compliment we can be paid. 

"I never imagined 'Piano' as a dance hit (but) I'm thrilled that it's reaching a new generation of audiences." 
Following radio's playing of "Piano," Russell added the top 15 Adult Contemporary and top 40 R&B/Hip-Hop Songs hit "Stop Running Away" in 1990. The following year, the title cut from her 1988 album "Get Here" wound up climbing even higher on the Hot 100 (No. 5) than "Piano" - as recorded by Oleta Adams. Russell's original version had reached No. 37 on R&B/Hip-Hop Songs in 1988, but Adams' cover took hold as an anthem for loved ones at home missing those at battle in the Gulf War. 

"'Get Here' was a song I tried not to write because my record company [A&M] wanted a dance hit from me," Russell remembers. "When it wouldn't go away, I wrote it out to clear my palate. 

"I was living in Stockholm, Sweden at the time. Ironically, when Oleta Adams heard my version of the song for the first time, she was in a Stockholm record shop!" 

(The pair subsequently teamed in the studio, releasing the gospel-tinged ballad "We Will Find a Way" in 1994.) Russell's latest effort is the star-studded song "L.O.V.E. (Let One Voice Emerge)," which she co-wrote with Patti Austin, Siedah Garrett and Mervyn Warren. Sharing vocals are Fergie, Keke Palmer, Sheila E, Judith Hill, Lalah Hathaway, and Jenna Ushkowitz, aka, Tina Cohen-Chang of Fox TV's "Glee," as well as Russell, Austin and Garrett. 

The song (available on iTunes) accompanies a non-partisan campaign to reach out to the largest group of non-voters in America - nearly 20 million unmarried women - and support the Voter Participation Center, which has identified unmarried women as a crucial, yet unrecognized, constituency, and its partners. "The message is simple: Get registered and get to the polls on Nov. 6, "says VPC president Page Gardner. 

The video for "L.O.V.E." has garnered 110,000 YouTube views since its posting just less than two weeks ago. 

As Russell enjoys a new generation of fans appreciating her work, thanks to Flo Rida, she's likewise energized by making a difference via her new recording. 

"Dr. Maya Angelou, among others, has spoken eloquently in support of 'L.O.V.E.'," Russell says. 

"I am inspired by this project".



I Knew You Were Trouble - Taylor Swift



Artist:

Taylor Swift


Ho Hey - The Lumineers



Artist:

The Lumineers


Austin City Limits 2012: Chili Peppers 'Mess With Texas,' Avett Bros Rock Sunday


AUSTIN, TX - OCTOBER 14: Scott Avett of Avett Brothers performs during the 2012 Austin City Limits Music Festival on October 14, 2012 in Austin, Texas. (Photo by C Flanigan/Getty Images)
weekend of mud, sweat and beer came to a close Sunday with a nearly two-hour headlining set by the Red Hot Chili Peppers at Austin City Limits 2012.

"We came here specifically to mess with Texas," frontman Anthony Kiedis told the Austin crowd after kicking off the final set of the festival with "Monarchy of Roses." And they did just that as the crowd danced and sang along with "Can't Stop," "Dani California," "Suck My Kiss," "Otherside," "Under the Bridge," "Snow (Hey Oh)," "Californication" and "By The Way."
Crystal Castles, Childish Gambino Feed Off Chili Peppers Crowd
Electronic band Crystal Castles started their set 20 minutes late but made up for it with blinding strobe lights, a tummy rumbling bass and a bit of crowd surfing. Despite the mad beats, many audience members left early to wade through the crowd eagerly awaiting the Red Hot Chili Peppers at the Bud Light stage.

Actor and rapper Childish Gambino's (a.k.a Donald Glover, Troy Barnes on NBC's "Community") crowd stuck around longer partly because of his performances of "Heartbeat "and "You See Me" and partly because the Chili Peppers were headlining at the neighboring stage.

Mud, Bras and Jellyfish
On the fan front, the final day of ACL 2012 saw most people covered in mud thanks to the previous day's rain. Despite forecasts calling for more precipitation, there was hardly a cloud in the sky. Once again, flags out-shined fashion choices, as one group carried around an umbrella jellyfish that read "R U Jelly?" while another made a flag out of six lacy bras.

Avett Brothers Perform With the Chili Peppers' Chad Smith, Stooges Invite Fans Onstage
North Carolina folk rock band the Avett Brothers rocked the AMD stage with "January Wedding," "February Seven" and a performance of "Paul Newman vs. The Demons" featuring Red Hot Chili Peppers drummer Chad Smith.

At the same time, Iggy and the Stooges owned the Bud Light stage across the park with "Raw Power" and "I Feel Alright (1970)." "I'm lonely…. Bum rush this f***ing stage," Iggy Pop told onlookers before a group of about 20 fans stormed the stage during "Shake Appeal."